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・ The Triumph of Hercules
・ The Triumph of Hope Over Experience
・ The Triumph of Life
・ The Triumph of Love
・ The Triumph of Love (1922 film)
・ The Triumph of Love (film)
・ The Triumph of Peace
・ The Triumph of Science over Death
・ The Triumph of Sherlock Holmes
・ The Triumph of St. Joan
・ The Triumph of Steel
・ The Triumph of Technique
・ The Triumph of the Church (Rubens)
・ The Triumph of the Egg
・ The Triumph of the Moon
The Triumph of the Rat
・ The Triumph of the Scarlet Pimpernel
・ The Triumph of the Scarlet Pimpernel (film)
・ The Triumph of the Sun
・ The Triumph of the Weak
・ The Triumph of Time
・ The Triumph of Time (film)
・ The Triumph of Time and Truth
・ The Triumphal Entry of Henry IV into Paris
・ The Triumphs and Travails of Orphan Mae
・ The Triumphs of Oriana
・ The Triumphs of Oriana (1899)
・ The Trivia Encyclopedia
・ The Trivial Pursuits of Arthur Banks
・ The Troelfth Cake


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The Triumph of the Rat : ウィキペディア英語版
The Triumph of the Rat

''The Triumph of the Rat'' is a 1926 British silent film drama, directed by Graham Cutts for Gainsborough Pictures and starring Ivor Novello, Isabel Jeans and Nina Vanna.
==Background==
The film is the second in a trilogy featuring Novello as Pierre Boucheron (The Rat), following the popular success of the previous year's ''The Rat''. Jeans also returned to reprise her role from the first film, as did Marie Ault and Julie Suedo. A notable absence is the character of Odile, a central figure in ''The Rat'' as played by Mae Marsh. At the end of the previous film Pierre had seemingly rejected the lure of life in high society as represented by the Jeans character of Zélie, and he and Odile had finally realised the depth of their love for each other. However ''The Triumph of the Rat'' finds him back with Zélie, and not only does Odile not appear in the film, but not even a passing mention is made as to what might have happened in the interim to cause her to disappear so completely from Pierre's life. This reportedly puzzled contemporary audiences, and while some later observers have theorised that ''The Triumph of the Rat'' is meant to present an alternative reality in which Pierre chose Zélie over Odile at the end of the original film, there is no evidence that anything so sophisticated was ever the intention.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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